Commencement Archive

Makoto Fujimura

Field: arts

Video Transcript needs re-sourcing

Artist Makoto Fujimura reflects on his visit to tsunami- and nuclear-disaster-stricken Japan, weaving the devastation together with meditations on beauty, grief, and hope. He argues that art is a cultural necessity that awakens the senses to what he calls 'the aroma of the new,' pointing toward a greater reality and 'the world that ought to be.' He urges graduates to create out of sacrificial love amid the uncertainties of what sociologist Zygmunt Bauman terms 'liquid modernity.'

Key moments

  • 01 Recounting the devastation in Ishinomaki, Japan, including a 17-year-old survivor showering for the first time in a month
  • 02 Quoting T.S. Eliot's 'The Waste Land' on April as the cruelest month to link beauty and grief
  • 03 Describing the smell of bacon and eggs in a production of 'Our Town' as evidence of a reality behind reality
  • 04 Calling graduates to create out of love upon their 'ground zero' conditions

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Makoto Fujimura at Belhaven, 2011. A Belhaven address about art as cultural necessity, beauty inside grief, post-disaster Japan, culture care, and creating out of sacrificial love.
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Makoto Fujimura at Belhaven, 2011

A Belhaven address about art as cultural necessity, beauty inside grief, post-disaster Japan, culture care, and creating out of sacrificial love.

Speech arc

  1. 01Belhaven commencement

    Opening move

  2. 02Machine transcript

    Speech beat

  3. 03Arts as fundamental

    Speech beat

  4. 04Japan 2011

    Speech beat

  5. 05Beauty and grief

    Speech beat

  6. 06Aroma of the new

    Speech beat

  7. 07Liquid modernity

    Speech beat

  8. 08Create out of love

    Final charge

01

Artist: The arts are named as central, not ornamental

Fujimura begins by thanking Belhaven for honoring an artist at a Christian institution and argues that art is a cultural necessity for restoring humanity.

Honor

The ceremony itself becomes a statement that art belongs at the center of higher education.

Necessity

Art is rejected as a peripheral luxury and reframed as a way civilization defines and restores itself.

Calling

Graduates are invited to become makers who tell truth and help others perceive what is real.

Fujimura begins by thanking Belhaven for honoring an artist at a Christian institution and argues that art is a cultural necessity for restoring humanity.

02

Ground Zero: Disaster makes the need for beauty more urgent

Reflecting on Japan after the 2011 tsunami and nuclear disaster, the speech refuses easy consolation while insisting that creation can begin in broken places.

Ishinomaki

The devastated coastal city anchors the speech in concrete grief rather than abstraction.

Witness

The transcript recalls encounters with survivors and the scale of loss after earthquake, tsunami, and nuclear crisis.

Seed

Even ground zero conditions can become a place where love, patience, and imagination begin again.

Reflecting on Japan after the 2011 tsunami and nuclear disaster, the speech refuses easy consolation while insisting that creation can begin in broken places.

03

Aroma: Beauty and grief are companions, not opposites

Fujimura links T.S. Eliot's April imagery, the sensory detail of bacon and eggs in Our Town, and Bauman's liquid modernity to show how art points beyond visible damage.

Eliot

Spring beauty is made complicated by grief, memory, and the pain of renewal.

Theater

The smell of breakfast in Our Town becomes evidence that ordinary life can awaken deeper reality.

Modernity

In liquid modernity, art gives people anchors deeper than trends and structures.

Fujimura links T.S.

Eliot's April imagery, the sensory detail of bacon and eggs in Our Town, and Bauman's liquid modernity to show how art points beyond visible damage.

• Key takeaways •

Art restores perception

Connects to art.

Beauty can pass through grief

Connects to hope.

Ground zero can become soil

Connects to grief.

Culture needs patient care

Connects to faith.

Create out of sacrificial love

Connects to creativity.

Closing charge

The closing movement asks graduates to create from love, tend culture patiently, and imagine a renewed world rather than merely predict the future.

Create toward the world that ought to be

Love

Creation is framed as sacrificial love for neighbors, places, and future communities.

Hope

Hope is not naive escape; it is a disciplined act of making in dark conditions.

Charge

Graduates are sent to create upon their own ground zero with courage, faith, and care.

The closing movement asks graduates to create from love, tend culture patiently, and imagine a renewed world rather than merely predict the future.

Create toward the world that ought to be

arthopegrieffaithcreativityculture care

A Belhaven address about art as cultural necessity, beauty inside grief, post-disaster Japan, culture care, and creating out of sacrificial love.

Transcript

The previously catalogued transcript link is no longer live and is queued for re-sourcing. A video of the address is available above.

Machine transcript available for archive analysis; it is unverified and may contain transcription errors. Machine transcript source ->

Provenance

BROKEN transcript link (checked 2026-06-26): gradspeeches.com is a parked/redirecting domain serving no real content. Provenance: Imported from NPR commencement archive; cross-referenced with Open Commencement DB

NPR archive last updated in 2015; destination availability has not been exhaustively rechecked | Open Commencement DB transcript; not independently verified against the original recording | Transcript URL dead (gradspeeches.com is a parked/redirecting domain serving no real content); video fallback present

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